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	update deps (#686)
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							| @@ -1,77 +0,0 @@ | ||||
| /* | ||||
| To build the snappytool binary: | ||||
| g++ main.cpp /usr/lib/libsnappy.a -o snappytool | ||||
| or, if you have built the C++ snappy library from source: | ||||
| g++ main.cpp /path/to/your/snappy/.libs/libsnappy.a -o snappytool | ||||
| after running "make" from your snappy checkout directory. | ||||
| */ | ||||
|  | ||||
| #include <errno.h> | ||||
| #include <stdio.h> | ||||
| #include <string.h> | ||||
| #include <unistd.h> | ||||
|  | ||||
| #include "snappy.h" | ||||
|  | ||||
| #define N 1000000 | ||||
|  | ||||
| char dst[N]; | ||||
| char src[N]; | ||||
|  | ||||
| int main(int argc, char** argv) { | ||||
|   // Parse args. | ||||
|   if (argc != 2) { | ||||
|     fprintf(stderr, "exactly one of -d or -e must be given\n"); | ||||
|     return 1; | ||||
|   } | ||||
|   bool decode = strcmp(argv[1], "-d") == 0; | ||||
|   bool encode = strcmp(argv[1], "-e") == 0; | ||||
|   if (decode == encode) { | ||||
|     fprintf(stderr, "exactly one of -d or -e must be given\n"); | ||||
|     return 1; | ||||
|   } | ||||
|  | ||||
|   // Read all of stdin into src[:s]. | ||||
|   size_t s = 0; | ||||
|   while (1) { | ||||
|     if (s == N) { | ||||
|       fprintf(stderr, "input too large\n"); | ||||
|       return 1; | ||||
|     } | ||||
|     ssize_t n = read(0, src+s, N-s); | ||||
|     if (n == 0) { | ||||
|       break; | ||||
|     } | ||||
|     if (n < 0) { | ||||
|       fprintf(stderr, "read error: %s\n", strerror(errno)); | ||||
|       // TODO: handle EAGAIN, EINTR? | ||||
|       return 1; | ||||
|     } | ||||
|     s += n; | ||||
|   } | ||||
|  | ||||
|   // Encode or decode src[:s] to dst[:d], and write to stdout. | ||||
|   size_t d = 0; | ||||
|   if (encode) { | ||||
|     if (N < snappy::MaxCompressedLength(s)) { | ||||
|       fprintf(stderr, "input too large after encoding\n"); | ||||
|       return 1; | ||||
|     } | ||||
|     snappy::RawCompress(src, s, dst, &d); | ||||
|   } else { | ||||
|     if (!snappy::GetUncompressedLength(src, s, &d)) { | ||||
|       fprintf(stderr, "could not get uncompressed length\n"); | ||||
|       return 1; | ||||
|     } | ||||
|     if (N < d) { | ||||
|       fprintf(stderr, "input too large after decoding\n"); | ||||
|       return 1; | ||||
|     } | ||||
|     if (!snappy::RawUncompress(src, s, dst)) { | ||||
|       fprintf(stderr, "input was not valid Snappy-compressed data\n"); | ||||
|       return 1; | ||||
|     } | ||||
|   } | ||||
|   write(1, dst, d); | ||||
|   return 0; | ||||
| } | ||||
							
								
								
									
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							| @@ -1,396 +0,0 @@ | ||||
| Produced by David Widger. The previous edition was updated by Jose | ||||
| Menendez. | ||||
|  | ||||
|  | ||||
|  | ||||
|  | ||||
|  | ||||
|                    THE ADVENTURES OF TOM SAWYER | ||||
|                                 BY | ||||
|                             MARK TWAIN | ||||
|                      (Samuel Langhorne Clemens) | ||||
|  | ||||
|  | ||||
|  | ||||
|  | ||||
|                            P R E F A C E | ||||
|  | ||||
| MOST of the adventures recorded in this book really occurred; one or | ||||
| two were experiences of my own, the rest those of boys who were | ||||
| schoolmates of mine. Huck Finn is drawn from life; Tom Sawyer also, but | ||||
| not from an individual--he is a combination of the characteristics of | ||||
| three boys whom I knew, and therefore belongs to the composite order of | ||||
| architecture. | ||||
|  | ||||
| The odd superstitions touched upon were all prevalent among children | ||||
| and slaves in the West at the period of this story--that is to say, | ||||
| thirty or forty years ago. | ||||
|  | ||||
| Although my book is intended mainly for the entertainment of boys and | ||||
| girls, I hope it will not be shunned by men and women on that account, | ||||
| for part of my plan has been to try to pleasantly remind adults of what | ||||
| they once were themselves, and of how they felt and thought and talked, | ||||
| and what queer enterprises they sometimes engaged in. | ||||
|  | ||||
|                                                             THE AUTHOR. | ||||
|  | ||||
| HARTFORD, 1876. | ||||
|  | ||||
|  | ||||
|  | ||||
|                           T O M   S A W Y E R | ||||
|  | ||||
|  | ||||
|  | ||||
| CHAPTER I | ||||
|  | ||||
| "TOM!" | ||||
|  | ||||
| No answer. | ||||
|  | ||||
| "TOM!" | ||||
|  | ||||
| No answer. | ||||
|  | ||||
| "What's gone with that boy,  I wonder? You TOM!" | ||||
|  | ||||
| No answer. | ||||
|  | ||||
| The old lady pulled her spectacles down and looked over them about the | ||||
| room; then she put them up and looked out under them. She seldom or | ||||
| never looked THROUGH them for so small a thing as a boy; they were her | ||||
| state pair, the pride of her heart, and were built for "style," not | ||||
| service--she could have seen through a pair of stove-lids just as well. | ||||
| She looked perplexed for a moment, and then said, not fiercely, but | ||||
| still loud enough for the furniture to hear: | ||||
|  | ||||
| "Well, I lay if I get hold of you I'll--" | ||||
|  | ||||
| She did not finish, for by this time she was bending down and punching | ||||
| under the bed with the broom, and so she needed breath to punctuate the | ||||
| punches with. She resurrected nothing but the cat. | ||||
|  | ||||
| "I never did see the beat of that boy!" | ||||
|  | ||||
| She went to the open door and stood in it and looked out among the | ||||
| tomato vines and "jimpson" weeds that constituted the garden. No Tom. | ||||
| So she lifted up her voice at an angle calculated for distance and | ||||
| shouted: | ||||
|  | ||||
| "Y-o-u-u TOM!" | ||||
|  | ||||
| There was a slight noise behind her and she turned just in time to | ||||
| seize a small boy by the slack of his roundabout and arrest his flight. | ||||
|  | ||||
| "There! I might 'a' thought of that closet. What you been doing in | ||||
| there?" | ||||
|  | ||||
| "Nothing." | ||||
|  | ||||
| "Nothing! Look at your hands. And look at your mouth. What IS that | ||||
| truck?" | ||||
|  | ||||
| "I don't know, aunt." | ||||
|  | ||||
| "Well, I know. It's jam--that's what it is. Forty times I've said if | ||||
| you didn't let that jam alone I'd skin you. Hand me that switch." | ||||
|  | ||||
| The switch hovered in the air--the peril was desperate-- | ||||
|  | ||||
| "My! Look behind you, aunt!" | ||||
|  | ||||
| The old lady whirled round, and snatched her skirts out of danger. The | ||||
| lad fled on the instant, scrambled up the high board-fence, and | ||||
| disappeared over it. | ||||
|  | ||||
| His aunt Polly stood surprised a moment, and then broke into a gentle | ||||
| laugh. | ||||
|  | ||||
| "Hang the boy, can't I never learn anything? Ain't he played me tricks | ||||
| enough like that for me to be looking out for him by this time? But old | ||||
| fools is the biggest fools there is. Can't learn an old dog new tricks, | ||||
| as the saying is. But my goodness, he never plays them alike, two days, | ||||
| and how is a body to know what's coming? He 'pears to know just how | ||||
| long he can torment me before I get my dander up, and he knows if he | ||||
| can make out to put me off for a minute or make me laugh, it's all down | ||||
| again and I can't hit him a lick. I ain't doing my duty by that boy, | ||||
| and that's the Lord's truth, goodness knows. Spare the rod and spile | ||||
| the child, as the Good Book says. I'm a laying up sin and suffering for | ||||
| us both, I know. He's full of the Old Scratch, but laws-a-me! he's my | ||||
| own dead sister's boy, poor thing, and I ain't got the heart to lash | ||||
| him, somehow. Every time I let him off, my conscience does hurt me so, | ||||
| and every time I hit him my old heart most breaks. Well-a-well, man | ||||
| that is born of woman is of few days and full of trouble, as the | ||||
| Scripture says, and I reckon it's so. He'll play hookey this evening, * | ||||
| and [* Southwestern for "afternoon"] I'll just be obleeged to make him | ||||
| work, to-morrow, to punish him. It's mighty hard to make him work | ||||
| Saturdays, when all the boys is having holiday, but he hates work more | ||||
| than he hates anything else, and I've GOT to do some of my duty by him, | ||||
| or I'll be the ruination of the child." | ||||
|  | ||||
| Tom did play hookey, and he had a very good time. He got back home | ||||
| barely in season to help Jim, the small colored boy, saw next-day's | ||||
| wood and split the kindlings before supper--at least he was there in | ||||
| time to tell his adventures to Jim while Jim did three-fourths of the | ||||
| work. Tom's younger brother (or rather half-brother) Sid was already | ||||
| through with his part of the work (picking up chips), for he was a | ||||
| quiet boy, and had no adventurous, troublesome ways. | ||||
|  | ||||
| While Tom was eating his supper, and stealing sugar as opportunity | ||||
| offered, Aunt Polly asked him questions that were full of guile, and | ||||
| very deep--for she wanted to trap him into damaging revealments. Like | ||||
| many other simple-hearted souls, it was her pet vanity to believe she | ||||
| was endowed with a talent for dark and mysterious diplomacy, and she | ||||
| loved to contemplate her most transparent devices as marvels of low | ||||
| cunning. Said she: | ||||
|  | ||||
| "Tom, it was middling warm in school, warn't it?" | ||||
|  | ||||
| "Yes'm." | ||||
|  | ||||
| "Powerful warm, warn't it?" | ||||
|  | ||||
| "Yes'm." | ||||
|  | ||||
| "Didn't you want to go in a-swimming, Tom?" | ||||
|  | ||||
| A bit of a scare shot through Tom--a touch of uncomfortable suspicion. | ||||
| He searched Aunt Polly's face, but it told him nothing. So he said: | ||||
|  | ||||
| "No'm--well, not very much." | ||||
|  | ||||
| The old lady reached out her hand and felt Tom's shirt, and said: | ||||
|  | ||||
| "But you ain't too warm now, though." And it flattered her to reflect | ||||
| that she had discovered that the shirt was dry without anybody knowing | ||||
| that that was what she had in her mind. But in spite of her, Tom knew | ||||
| where the wind lay, now. So he forestalled what might be the next move: | ||||
|  | ||||
| "Some of us pumped on our heads--mine's damp yet. See?" | ||||
|  | ||||
| Aunt Polly was vexed to think she had overlooked that bit of | ||||
| circumstantial evidence, and missed a trick. Then she had a new | ||||
| inspiration: | ||||
|  | ||||
| "Tom, you didn't have to undo your shirt collar where I sewed it, to | ||||
| pump on your head, did you? Unbutton your jacket!" | ||||
|  | ||||
| The trouble vanished out of Tom's face. He opened his jacket. His | ||||
| shirt collar was securely sewed. | ||||
|  | ||||
| "Bother! Well, go 'long with you. I'd made sure you'd played hookey | ||||
| and been a-swimming. But I forgive ye, Tom. I reckon you're a kind of a | ||||
| singed cat, as the saying is--better'n you look. THIS time." | ||||
|  | ||||
| She was half sorry her sagacity had miscarried, and half glad that Tom | ||||
| had stumbled into obedient conduct for once. | ||||
|  | ||||
| But Sidney said: | ||||
|  | ||||
| "Well, now, if I didn't think you sewed his collar with white thread, | ||||
| but it's black." | ||||
|  | ||||
| "Why, I did sew it with white! Tom!" | ||||
|  | ||||
| But Tom did not wait for the rest. As he went out at the door he said: | ||||
|  | ||||
| "Siddy, I'll lick you for that." | ||||
|  | ||||
| In a safe place Tom examined two large needles which were thrust into | ||||
| the lapels of his jacket, and had thread bound about them--one needle | ||||
| carried white thread and the other black. He said: | ||||
|  | ||||
| "She'd never noticed if it hadn't been for Sid. Confound it! sometimes | ||||
| she sews it with white, and sometimes she sews it with black. I wish to | ||||
| geeminy she'd stick to one or t'other--I can't keep the run of 'em. But | ||||
| I bet you I'll lam Sid for that. I'll learn him!" | ||||
|  | ||||
| He was not the Model Boy of the village. He knew the model boy very | ||||
| well though--and loathed him. | ||||
|  | ||||
| Within two minutes, or even less, he had forgotten all his troubles. | ||||
| Not because his troubles were one whit less heavy and bitter to him | ||||
| than a man's are to a man, but because a new and powerful interest bore | ||||
| them down and drove them out of his mind for the time--just as men's | ||||
| misfortunes are forgotten in the excitement of new enterprises. This | ||||
| new interest was a valued novelty in whistling, which he had just | ||||
| acquired from a negro, and he was suffering to practise it undisturbed. | ||||
| It consisted in a peculiar bird-like turn, a sort of liquid warble, | ||||
| produced by touching the tongue to the roof of the mouth at short | ||||
| intervals in the midst of the music--the reader probably remembers how | ||||
| to do it, if he has ever been a boy. Diligence and attention soon gave | ||||
| him the knack of it, and he strode down the street with his mouth full | ||||
| of harmony and his soul full of gratitude. He felt much as an | ||||
| astronomer feels who has discovered a new planet--no doubt, as far as | ||||
| strong, deep, unalloyed pleasure is concerned, the advantage was with | ||||
| the boy, not the astronomer. | ||||
|  | ||||
| The summer evenings were long. It was not dark, yet. Presently Tom | ||||
| checked his whistle. A stranger was before him--a boy a shade larger | ||||
| than himself. A new-comer of any age or either sex was an impressive | ||||
| curiosity in the poor little shabby village of St. Petersburg. This boy | ||||
| was well dressed, too--well dressed on a week-day. This was simply | ||||
| astounding. His cap was a dainty thing, his close-buttoned blue cloth | ||||
| roundabout was new and natty, and so were his pantaloons. He had shoes | ||||
| on--and it was only Friday. He even wore a necktie, a bright bit of | ||||
| ribbon. He had a citified air about him that ate into Tom's vitals. The | ||||
| more Tom stared at the splendid marvel, the higher he turned up his | ||||
| nose at his finery and the shabbier and shabbier his own outfit seemed | ||||
| to him to grow. Neither boy spoke. If one moved, the other moved--but | ||||
| only sidewise, in a circle; they kept face to face and eye to eye all | ||||
| the time. Finally Tom said: | ||||
|  | ||||
| "I can lick you!" | ||||
|  | ||||
| "I'd like to see you try it." | ||||
|  | ||||
| "Well, I can do it." | ||||
|  | ||||
| "No you can't, either." | ||||
|  | ||||
| "Yes I can." | ||||
|  | ||||
| "No you can't." | ||||
|  | ||||
| "I can." | ||||
|  | ||||
| "You can't." | ||||
|  | ||||
| "Can!" | ||||
|  | ||||
| "Can't!" | ||||
|  | ||||
| An uncomfortable pause. Then Tom said: | ||||
|  | ||||
| "What's your name?" | ||||
|  | ||||
| "'Tisn't any of your business, maybe." | ||||
|  | ||||
| "Well I 'low I'll MAKE it my business." | ||||
|  | ||||
| "Well why don't you?" | ||||
|  | ||||
| "If you say much, I will." | ||||
|  | ||||
| "Much--much--MUCH. There now." | ||||
|  | ||||
| "Oh, you think you're mighty smart, DON'T you? I could lick you with | ||||
| one hand tied behind me, if I wanted to." | ||||
|  | ||||
| "Well why don't you DO it? You SAY you can do it." | ||||
|  | ||||
| "Well I WILL, if you fool with me." | ||||
|  | ||||
| "Oh yes--I've seen whole families in the same fix." | ||||
|  | ||||
| "Smarty! You think you're SOME, now, DON'T you? Oh, what a hat!" | ||||
|  | ||||
| "You can lump that hat if you don't like it. I dare you to knock it | ||||
| off--and anybody that'll take a dare will suck eggs." | ||||
|  | ||||
| "You're a liar!" | ||||
|  | ||||
| "You're another." | ||||
|  | ||||
| "You're a fighting liar and dasn't take it up." | ||||
|  | ||||
| "Aw--take a walk!" | ||||
|  | ||||
| "Say--if you give me much more of your sass I'll take and bounce a | ||||
| rock off'n your head." | ||||
|  | ||||
| "Oh, of COURSE you will." | ||||
|  | ||||
| "Well I WILL." | ||||
|  | ||||
| "Well why don't you DO it then? What do you keep SAYING you will for? | ||||
| Why don't you DO it? It's because you're afraid." | ||||
|  | ||||
| "I AIN'T afraid." | ||||
|  | ||||
| "You are." | ||||
|  | ||||
| "I ain't." | ||||
|  | ||||
| "You are." | ||||
|  | ||||
| Another pause, and more eying and sidling around each other. Presently | ||||
| they were shoulder to shoulder. Tom said: | ||||
|  | ||||
| "Get away from here!" | ||||
|  | ||||
| "Go away yourself!" | ||||
|  | ||||
| "I won't." | ||||
|  | ||||
| "I won't either." | ||||
|  | ||||
| So they stood, each with a foot placed at an angle as a brace, and | ||||
| both shoving with might and main, and glowering at each other with | ||||
| hate. But neither could get an advantage. After struggling till both | ||||
| were hot and flushed, each relaxed his strain with watchful caution, | ||||
| and Tom said: | ||||
|  | ||||
| "You're a coward and a pup. I'll tell my big brother on you, and he | ||||
| can thrash you with his little finger, and I'll make him do it, too." | ||||
|  | ||||
| "What do I care for your big brother? I've got a brother that's bigger | ||||
| than he is--and what's more, he can throw him over that fence, too." | ||||
| [Both brothers were imaginary.] | ||||
|  | ||||
| "That's a lie." | ||||
|  | ||||
| "YOUR saying so don't make it so." | ||||
|  | ||||
| Tom drew a line in the dust with his big toe, and said: | ||||
|  | ||||
| "I dare you to step over that, and I'll lick you till you can't stand | ||||
| up. Anybody that'll take a dare will steal sheep." | ||||
|  | ||||
| The new boy stepped over promptly, and said: | ||||
|  | ||||
| "Now you said you'd do it, now let's see you do it." | ||||
|  | ||||
| "Don't you crowd me now; you better look out." | ||||
|  | ||||
| "Well, you SAID you'd do it--why don't you do it?" | ||||
|  | ||||
| "By jingo! for two cents I WILL do it." | ||||
|  | ||||
| The new boy took two broad coppers out of his pocket and held them out | ||||
| with derision. Tom struck them to the ground. In an instant both boys | ||||
| were rolling and tumbling in the dirt, gripped together like cats; and | ||||
| for the space of a minute they tugged and tore at each other's hair and | ||||
| clothes, punched and scratched each other's nose, and covered | ||||
| themselves with dust and glory. Presently the confusion took form, and | ||||
| through the fog of battle Tom appeared, seated astride the new boy, and | ||||
| pounding him with his fists. "Holler 'nuff!" said he. | ||||
|  | ||||
| The boy only struggled to free himself. He was crying--mainly from rage. | ||||
|  | ||||
| "Holler 'nuff!"--and the pounding went on. | ||||
|  | ||||
| At last the stranger got out a smothered "'Nuff!" and Tom let him up | ||||
| and said: | ||||
|  | ||||
| "Now that'll learn you. Better look out who you're fooling with next | ||||
| time." | ||||
|  | ||||
| The new boy went off brushing the dust from his clothes, sobbing, | ||||
| snuffling, and occasionally looking back and shaking his head and | ||||
| threatening what he would do to Tom the "next time he caught him out." | ||||
| To which Tom responded with jeers, and started off in high feather, and | ||||
| as soon as his back was turned the new boy snatched up a stone, threw | ||||
| it and hit him between the shoulders and then turned tail and ran like | ||||
| an antelope. Tom chased the traitor home, and thus found out where he | ||||
| lived. He then held a position at the gate for some time, daring the | ||||
| enemy to come outside, but the enemy only made faces at him through the | ||||
| window and declined. At last the enemy's mother appeared, and called | ||||
| Tom a bad, vicious, vulgar child, and ordered him away. So he went | ||||
| away; but he said he "'lowed" to "lay" for that boy. | ||||
|  | ||||
| He got home pretty late that night, and when he climbed cautiously in | ||||
| at the window, he uncovered an ambuscade, in the person of his aunt; | ||||
| and when she saw the state his clothes were in her resolution to turn | ||||
| his Saturday holiday into captivity at hard labor became adamantine in | ||||
| its firmness. | ||||
							
								
								
									
										
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